The Power Comes Back at Forty-Five: Urban Fantasy Where the Protagonist Has a Mortgage
Most magic in this genre arrives at nineteen, when the protagonist has nothing to lose but a bad apartment and […]
Most magic in this genre arrives at nineteen, when the protagonist has nothing to lose but a bad apartment and […]
Turn the camera around and the whole genre changes. Told from the vampire’s side, the story is about appetite, aristocracy
Immortality is usually written as a costume. Better clothes, older accent, a house with a library. What it rarely gets
Most enemies-to-lovers books are not that. They are strangers-to-lovers with an argument at the start. The pattern is easy to
A bond is a promise the plot makes on the characters’ behalf. The question is whether they ever have to
Somebody has to do the payroll. It is the least glamorous observation in fantasy and one of the most productive.
The problem with most ghosts is that they can do anything. A haunting with no constraints is just an author
Most fictional necromancy is a lighting choice. Green glow, robed figure, some skeletons in the courtyard, and no working theory
A bargain is only interesting if it can be enforced. That is the whole difference between fae fiction that works
If you arrived at romantasy from urban fantasy, you probably bounced off something. The complaint is usually the same, and